Welcome to Movie Nights @ The Literary
Film Fanatic Movie Nights is a series of communal film experiences designed to stimulate the senses, feed the mind, and dazzle the eyes. Each film is presented by a film fanatic curator who introduces the film, sets the stage with background and insight, and leads an informal discussion afterward. Whether you come as a viewer, a movie buff, or a full-on fanatic — you're among friends here.
Next public screening
The French Dispatch
USA 2021 • 108 min (1.37:1)
Directed by: Wes Anderson
Starring: Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Bill Murray
Presented by: Rachel Storm
Thursday, June 4, 2026 at 10:30 pm
Venue: The Literary Book Bar
Regular admission: $12 (at the door)
Advance tickets: $10 (available online until 5pm on June 3)
Member discount: $8 (includes premium seating in reserved section)
Special offer: Join Film-Fanatic.Club today and get one FREE admission plus one drink ticket (more info)
Note: Upon purchase, your name will be added to our door list (no tickets will be issued). Simply check in at the door at least 10 minutes before the screening starts on the night of the event. Your email receipt is your proof of purchase.
About the film
A meticulously constructed anthology that plays like a love letter to mid-century magazine journalism, The French Dispatch finds Wes Anderson pushing his formalism into ever more intricate territory. Structured as a series of articles from a fictional publication, the film blends literary homage (echoes of The New Yorker are unmistakable) with a dense collage of visual and narrative styles — deadpan reportage, absurdist comedy, political pastiche. Beneath the hyper-controlled compositions and rapid-fire storytelling is a sincere elegy for a certain kind of writing culture: obsessive, idiosyncratic, and fiercely human. More fragmented than his earlier work but no less deliberate, it rewards close attention, functioning as both a showcase of Anderson’s craft and a reflection on the act of storytelling itself.
#WesAnderson #AnthologyFilm #CinemaOfStyle #MagazineCulture #VisualStorytelling #Arthouse #CultCinema #MidnightMovies #BigScreenExperience
Presented by Paul Young
We all remember our first love. For those of us who are film fanatics, we also remember our first Wes Anderson. Mine was The Darjeeling Limited. It convinced me that I needed to go to India to ride that train — only to discover later that the Darjeeling Limited itself was fictional. So we had to make do with the Darjeeling Mail instead, a second-class overnight train — a disappointment, but at least it got us to India.
Trains would reappear again and again throughout Anderson’s work, along with vintage suitcases, red caps, typewriters, carefully curated pop songs, miniature sets, symmetrical compositions, and characters desperately trying to organize chaotic emotional lives. Some critics accuse him of making the same movie repeatedly. Others, like me, admire him for having one of the most recognizable and consistent visual voices in modern cinema. Within seconds of a Wes Anderson film beginning, you know exactly whose world you’ve entered.
If you’re new to Wes Anderson, The French Dispatch is an ideal introduction. It contains nearly everything that makes his films so beloved: meticulous production design, literary storytelling, melancholy hidden beneath absurd comedy, and frame after frame overflowing with visual detail. If you’re already a longtime Wes Anderson fanatic, you know this is also one of his most rewarding and endlessly rewatchable films — the kind of movie where every revisit reveals new jokes, hidden details, emotional nuances, and background stories unfolding quietly at the edges of the frame.
But beneath all the style and precision, this is also one of Anderson’s most personal films: a love letter to journalism, artists, French cinema, expatriate culture, and the golden age of print magazines that once shaped how people understood the world.
So join all of us Wes Anderson fanatics at The Literary for a special evening of cinematic craftsmanship, deadpan humor, and one of the most visually rich films of the modern era. Whether you’re discovering it for the first time or returning once again, The French Dispatch is a film best experienced with an audience.
Post-screening talkback with Rachel Storm
Rachel Lauren Storm is an arts and culture advocate with over 20 years of experience in creative community engagement in Urbana-Champaign. She has worked extensively across various disciplines, including film, visual arts, and live performances, contributing to the development of arts programming, curating exhibitions, and fostering collaboration among local artists and organizations. Currently, Rachel is the Assistant Director of Community Engagement and Learning at Krannert Art Museum and Vice-President of the Champaign County Museum Network. Rachel's latest project is Arthouse 217 which celebrates and revitalizes independent and arthouse cinema in Urbana-Champaign, fostering community connection through thoughtfully curated film experiences. Drawing on the legacy of Ebertfest, the historic Art Theater, and the Virginia Theatre, the series invites both longtime cinephiles and new audiences to engage with films that extend beyond entertainment — offering space for creativity, reflection, and shared dialogue.
Film-Fanatic.Club • The Literary Book Bar
122 N Neil St, Champaign , IL 61820
